FROM OUR CONTRIBUTORS
Explore published writing by Peter Baier in The Internationalists.
50 pieces to explore
To reconstruct a production history, define the production precisely, then triangulate programmes, reviews and archival production documents. Programmes supply credits, dates, venues and production context; reviews supply…
Dramaturgy across cultures is the study and practice of how performance structure and meaning change when conventions, languages, institutions, and audiences travel between contexts. It connects comparative,…
Which Direction Home? was a festival of new work inspired by Homer's Odyssey, announced by The Internationalists for 21–29 July 2010, in which eight directors from six…
Audience participation in online theatre should be designed as a clear participation model rather than added as a chat feature. Producers need to decide what audiences may…
The Internationalists are documented as a directors’ collective in self-published pages and limited independent coverage. Their record includes a 2007 naming discussion, a first collaboration on the…
A technical rider is a working document that tells a venue, promoter and suppliers what a performance needs in order to load in, build, operate and load…
A theatre exchange programme is an organised scheme that enables theatre practitioners, productions or knowledge to travel between countries or institutions for mutual learning, presentation or collaboration.…
Preparing a script for surtitling means turning a clean, consistently formatted play text into reviewed cue units that can be translated, rehearsed and operated live. The work…
A translation for reading is designed to work on the page: it preserves nuance, supplies context and invites close attention to language. A translation for performance is…
Planning rehearsals across time zones requires more than converting a clock time. Build a shared time-zone map, choose a sustainable and rotating overlap window, separate live rehearsal…
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