FROM OUR CONTRIBUTORS
Explore published writing by Peter Baier in The Internationalists.
50 pieces to explore
A brief for an international theatre collaboration is a working document that aligns partners on artistic purpose, roles, language, process, schedule, budget, rights and documentation. Write it…
International theatre festivals are time-bound programmes that present performance across national borders. Researching fit means matching a work's artistic identity, scale, technical needs, budget, and timing to…
Cultural context is the web of language, belief, history, social relations and performance conventions through which theatre makes meaning. Audiences do not need expert knowledge before attending,…
A bilingual theatre programme should combine a complete production credit list with clear language information: the title in every language used, playwright and translator credits, an explicit…
A theatre festival submission pack is a curated set of files and information that answers a programmer's core questions: whether the show fits, whether it can be…
An international theatre festival programme is read in layers: first the edition and its selection model, then each event entry’s credits, language, venue and access information. The…
Credit the playwright as author of the play, the translator as author of the specific translation, and the adapter as the maker of the adaptation or version.…
Taking a theatre production abroad means planning and delivering live performance across national borders, from budgeting and funding to visas, freight, technical adaptation, marketing, and follow-up. It…
International theatre co-productions are structured agreements in which two or more producers share the creation, financing, presentation, and rights of a performance work across borders. They can…
To compare theatre residency offers, convert each into a like-for-like working arrangement: exact dates, space, housing, cash and in-kind support, obligations, eligibility, language access and risk. Compare…
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