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Follow this thread through our guides, research, and conversations about theatre across borders.
8 pieces to explore
A PLACE TO BEGIN / Collaboration & Practice
A shared rehearsal vocabulary is an agreed working lexicon of terms, phrases, gestures and visual cues that helps a multilingual company coordinate rehearsal safely and precisely. It is not a translation of the play or a substitute for an interpreter; it is…
International theatre crosses national borders in production and circulation; intercultural theatre focuses on encounter between cultural traditions, aesthetics and communities; transnational theatre examines border-crossing networks, flows and…
An international theatre festival programme is read in layers: first the edition and its selection model, then each event entry’s credits, language, venue and access information. The…
Play translation for performance is the specialist work of turning a dramatic text in one language into a text that can be staged, rehearsed, and understood by…
Theatre surtitles are translated or transcribed text projected during a live performance so audiences can follow dialogue, lyrics, or narration. This guide explains the translation, redaction, design,…
Preparing a script for surtitling means turning a clean, consistently formatted play text into reviewed cue units that can be translated, rehearsed and operated live. The work…
A translation for reading is designed to work on the page: it preserves nuance, supplies context and invites close attention to language. A translation for performance is…
Actors and translators can work together in rehearsal through a documented cycle: agree a translation brief, test the text in table work and embodied scenes, and use…
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