Sofia Coppola’s net worth is estimated at $1 Million – $5 Million.
Sofia Coppola (Sofia Carmina Coppola) was born on 14 May, 1971 in New York, New York, United States, is an American screenwriter, director, producer, and former actress. Find out about the life of this billionaire, including Sofia Coppola’s net worth, age, family, dating life, salary, and assets.
|Popular As||Sofia Carmina Coppola|
|Age||50 years old|
|Born||14 May 1971|
|Birthplace||New York, New York, United States|
What is Sofia Coppola’s net worth?
Sofia Coppola’s net worth has been growing in 2020-2021.Sofia Coppola is 50 years old and has a net worth of $1 Million – $5 Million.
Sofia Coppola Social Network
|Wikipedia||Sofia Coppola Wikipedia|
Early Life: Source Wikipedia
The film tells the story of a daughter and father, played by Rashida Jones and Bill Murray respectively, as they explore New York together in an attempt to mend their fractured relationship. The film will also star Scary Movie actor Marlon Wayans and Games of Thrones actress. It is currently scheduled for a 2020 release.
In May 2020, it was announced Coppola would write and direct an adaptation of The Custom of the Country byfor Apple TV+.
The film starred Bill Murray as Bob Harris, a melancholy aging actor on a business trip, and Scarlett Johansson as Charlotte, a college graduate in a new country struggling with loneliness. Johansson signed onto the project first while still only 17 years old. It took several attempts before Coppola was able to secure Murray for the role of Bob Harris. Coppola said that the film “lived or died” on the comedian agreeing to play the role. Coppola had Murray in mind for the role while she was writing the screenplay. Coppola went to Tokyo and started filming without Murray officially signing on yet, hoping that he would show up. He finally agreed to sign onto the film after getting the script from a writing partner of his who also happened to be one of Coppola’s friends. Coppola describes Lost in Translation as a “self-indulgent, personal project” that wouldn’t resonate, so the fact movie fans still come up to her and shower the film in praise in 2018 continues to surprise the director.
At the 2017 Cannes Film Festival, Coppola became the second woman in the festival’s history to win the Best Director award, for the drama film The Beguiled.
Coppola directed The Beguiled (2017), a remake of the 1971 eponymous Southern Gothic film, starring Nicole Kidman, Elle Fanning, and Kirsten Dunst. The film premiered at the 2017 Cannes Film Festival, where Coppola became the second woman (and the first American woman) to win the Best Director award.
In 2017, before Coppola started pre-production on The Beguiled, she was asked by Italian state broadcaster Rai Com from All’Opera to direct their latest production of La Traviata. La traviata is a three act opera by Giuseppe Verdi set to an Italian libretto by Francesca Maria Piave. This Coppola-directed production was filmed for broadcast in Germany and France by Arte/ZDF, using multiple state-of-the art 4k cameras and up to 100 microphones. Coppola said in an interview she “could not turn down the project” with designer and fashion icondesigning the costumes for this 15 show run of La Traviata (2017). Discussing her modern take on this classic story Coppola says “I wanted to bring out the personal side of the French courtesan, the party girl used to the social scene. It’s a very feminine world that I love”.
On May 28, 2017, Coppola was awarded the Best Director Award at the Cannes Film Festival for The Beguiled, making her the second ever woman (and the first American woman) to win the award.
Coppola collaborated again with her Lost in Translation star Bill Murray on A Very Murray Christmas, which starred Murray and was co-written by herself, Murray and. The film, an homage to classic Christmas-themed variety shows, was released in December 2015 on Netflix.
In March 2014, it was reported that Coppola was in negotiations to direct a live-action adaptation of The Little Mermaid from a script by. Coppola wanted to shoot her version underwater, and although she later admitted that such a prospect was unrealistic, test footage was shot. In June 2015, it was announced Coppola had dropped out of the film due to creative differences.
Coppola cited her intrigue with the South as part of the story’s intrigue. Coppola has said that she “wanted the film to represent an exaggerated version of all the ways women were traditionally raised there just to be lovely and cater to men—the manners of that whole world, and how they change when the men go away”. Coppola has cited Gone with the Wind as her inspiration for creating a film that was relatable despite its position within a different era.
While some critics claim that Coppola intended The Beguiled as a feminist work, Coppola has explained that she is not in favor of that labeling. Though she has said she is happy if others see the film in this way, she sees it as a film, rather, that possesses a female perspective—an important distinction. The Beguiled was also made as a contrast to The Bling Ring, and Coppola has explained that needed to correct that film’s harsh Los Angeles aesthetic with something more beautiful and poetic.
In October 2014, Coppola launched a series of Christmas ads for the clothing chain Gap.
Coppola’s acting career, marked by frequent criticisms of nepotism and negative reviews, began while she was an infant, as she made background appearances in seven of her father’s films. The best known of these is her appearance in The Godfather as the infant Michael Francis Rizzi, in the baptism scene. Coppola returned to her father’s trilogy in both the second and third Godfather films, playing an immigrant child in The Godfather Part II and Michael Corleone’s daughter in The Godfather Part III, after the originally-cast actress, Winona Ryder, discontinued her involvement with the film due to nervous exhaustion. Coppola responded to a question about her role in The Godfather Part III in a 2013 interview:
Coppola’s next film, The Bling Ring (2013), was based on actual events centered around the Bling Ring, a group of California teenagers who burgled the homes of several celebrities over 2008 and 2009, stealing around $3 million in cash and belongings. Emma Watson,, , , , and starred in the film, which opened the Un Certain Regard section of the 2013 Cannes Film Festival.
An announcement in mid-December 2013 stated that American Zoetrope had successfully attained the screen rights for the memoir Fairyland: A Memoir of My Father and that Coppola would adapt the book with. Coppola would also produce the film with her brother Roman.
The film focuses on a newly famous actor played by Stephen Dorff, as he recuperates from a minor injury at the Chateau Marmont. Despite money, fame and professional success, Marco is trapped in an existential crisis and has an emotionally empty daily life. When his ex-wife suffers an unexplained breakdown and goes away, she leaves Cleo (Elle Fanning), their 11-year-old daughter, in his care. They spend time together and her presence helps Marco mature and accept adult responsibility. The film explores ennui among Hollywood stars, the father–daughter relationship and offers an oblique comedy of show business, particularly Hollywood film-making and the life of a “star”.
The film premiered at the 2013 Cannes Film Festival and Coppola described the reception as enthusiastic and exciting.
Coppola married musicianon August 27, 2011, at Palazzo Margherita in Bernalda, Italy. They met while producing the soundtrack to The Virgin Suicides. They have two daughters: Romy (born November 28, 2006), whose name is an homage to Coppola’s brother Roman, and Cosima (born May 2010).
Coppola’s fourth film was Somewhere (2010), filmed at Chateau Marmont. The plot focuses on a “bad boy” actor (portrayed by Stephen Dorff) who is forced to reevaluate his life when his daughter (played by Elle Fanning) arrives unexpectedly. The film won the prestigious Golden Lion at the Venice Film Festival. In November 2010, Coppola was interviewed by Joel Coen, who professed his admiration of her work, at the DGA screening of Somewhere in New York City.
The film premiered at the 67th Venice International Film Festival on September 3, 2010, and it was released in Italy on the same day. At the festival’s close (September 11), the jury unanimously awarded Somewhere the Golden Lion, the festival’s prize for the best overall film. Quentin Tarantino, president of the jury, said the film “grew and grew in our hearts, in our minds, in our affections” after the first screening. The film would continue to receive critical acclaim, especially from notable film critic Roger Ebert of the Chicago Sun-Times who wrote in his 4 star review, he praised the detail in the portrait of Johnny Marco, writing “Coppola is a fascinating director. She sees, and we see exactly what she sees. There is little attempt here to observe a plot. All the attention is on the handful of characters, on Johnny.”
Coppola and her family lived in Paris for several years before moving to New York City in 2010.
Coppola’s nomination for Best Director made her the first American woman in history to be nominated in that category, and the third woman overall, after Lina Wertmüller and Jane Campion. In 2010, Kathryn Bigelow became the fourth woman to be nominated, and the first to win the award. Coppola, however, remains the youngest woman to be nominated in the Best Director category.
On September 11, 2010, Somewhere won the Golden Lion, the top prize at the Venice International Film Festival. Coppola is the first American woman to win the award.
In December 2008, Coppola’s first commercial premiered during an episode of Gossip Girl. The advertisement she directed for the Christian Dior fragrance Miss Dior Chérie, shot in France with model, was very well received and continues to be popular on YouTube.
Her third film was the biopic Marie Antoinette (2006), adapted from the biography by British historian. Kirsten Dunst plays the title character, who marries King Louis XVI, played by , Coppola’s cousin. It debuted at the 2006 Cannes Film Festival where, despite boos in the audience, it received a standing ovation. Critics were divided.
Coppola’s second feature was Lost in Translation (2003). Coppola won the Academy Award for her original screenplay and three Golden Globe Awards including Best Picture Musical or Comedy. After Lina Wertmüller and Jane Campion, Coppola became the third female director to be nominated for an Academy Award for Directing and the second to win the Original Screenplay award, after Campion in 1994 (Wertmüller was also nominated), thus establishing a pattern for the female directors to be nominated for both awards. Her win for the best original screenplay in 2003 made her a third-generation Oscar winner. In 2004, Coppola was invited to join the Academy of Motion Picture Arts and Sciences.
Coppola was nominated for three Academy Awards for her film Lost in Translation (2003), in the categories of Best Picture, Best Director, and Best Original Screenplay. She would go on to win for Best Original Screenplay but lost the other two nominations to Peter Jackson’s The Lord of the Rings: The Return of the King.
Coppola made her feature-length directorial debut with the coming-of-age drama The Virgin Suicides (1999). It was the first of her collaborations with actress Kirsten Dunst. In 2004, Coppola received the Academy Award for Best Original Screenplay for the comedy-drama Lost in Translation and became the third woman to be nominated for an Academy Award for Best Director. In 2006, Coppola directed the historical drama Marie Antoinette, starring Dunst as the title character. In 2010, with the drama Somewhere, Coppola became the first American woman (and fourth American filmmaker) to win the Golden Lion, the top prize at the Venice Film Festival. In 2013, she directed the satirical crime film The Bling Ring, based on the crime ring of the same name which premiered at the Cannes Film Festival.
Zoetrope, Francis Ford’s production company, has backed all of her films. Her family ties have proven to hold both pros and cons for Coppola, which she has articulated. Though she learned from her father and is proud of her family, she has said she is happy to have carved her own way. Coppola has also said that she is aware of her hard work and is grateful for her film education and that her connections in the film industry were helpful because of the lack of female directors She said that she did what she could and is confident that her work is her own. After Francis Ford Coppola did not assist Coppola in securing the rights to thenovel The Virgin Suicides that her 1999 film was based on, much of the criticism surrounding her familial benefits subsided. Coppola usually involves her father in her projects. She has said that she likes being independent but respects him and his suggestions, though in the end always makes the choice she feels is right for a given movie.
Coppola’s first short film was Lick the Star (1998). It played many times on the Independent Film Channel. She made her feature film directing debut with The Virgin Suicides (1999); it received critical acclaim upon its premiere in North America at the 2000 Sundance Film Festival and was released later that year.
Coppola’s win for Best Original Screenplay (along with her cousin Nicolas Cage’s 1996 win for Best Actor) resulted in her family’s becoming the second three-generation Oscar-winning family, her grandfatherand her father Francis Ford Coppola having previously won Oscars. The first family to achieve this feat was the Huston family, for wins by: Walter, John, and Anjelica.
Coppola was first drawn to the story after reading the book byin 1995, at the recommendation of musician Thurston Moore. Coppola said she felt the novel’s author really understood the teenage experience and the mystery that exists between boys and girls, as well as emotions. She has also said that if not for the book, she does not know that she would have a career in film. Coppola was scared to direct the film, but felt so connected to the material that she felt she needed to create it. Specifically, Coppola has highlighted the representation of teenagers “lazing around,” a situation she connected with but felt was not seen very much in films in any relatable way.
In 1992, Coppola met director Spike Jonze; they married in 1999 and divorced in 2003. In an official statement, Coppola’s publicist explained that the divorce decision was reached “with sadness”. It is widely believed that the main character’s husband in Lost in Translation is based on Jonze, as Coppola stated after the film’s release, “There are elements of Spike there, elements of experiences.”
After she was critically panned for her performance in The Godfather Part III, for which she was named “Worst Supporting Actress” and “Worst New Star” at the 1990 Golden Raspberry Awards, Coppola ended her acting career, although she appeared in the independent film Inside Monkey Zetterland (1992), as well as in the backgrounds of films by her friends and family: for example, she appeared as Saché, one of Queen Padmé Amidala’s five handmaidens in George Lucas’ Star Wars: Episode I – The Phantom Menace (1999). Coppola has since been quoted as saying that she was not hurt by the criticism from her role in The Godfather Part III, because she never especially wanted an acting career.
Coppola also appears in several music videos from the 1990s: The Black Crowes’ “Sometimes Salvation”; Sonic Youth’s “Mildred Pierce”; Madonna’s “Deeper and Deeper”; The Chemical Brothers’ “Elektrobank”, which was directed by her then husband Spike Jonze; and later Phoenix’s “Funky Squaredance”.
In the mid-1990s, Coppola and her best friendhelmed the short-lived series Comedy Central series Hi Octane, which spotlit performers in underground music. The show was cancelled after four episodes.
At the beginning of the 1990s, Coppola was often featured in girl-oriented magazines like Seventeen and YM. In 1994, she co-founded the clothing line Milk Fed in Japan, with her friend Stephanie Hayman in cooperation with Sonic Youth’s Kim Gordon. In 2001, the fashion designer Marc Jacobs chose the actress/director to be the “face” of his house’s fragrance. The campaign involved photographs of Coppola shot by photographer Jürgen Teller. The July 2013 issue of Elle featured photographs shot by Coppola of Paris Hilton at Hilton’s Beverly Hills mansion (which makes a cameo in The Bling Ring).
Frankenweenie (1984) was the first film she performed in that was not associated with her father; however, it often goes unnoted due to her stage name “Domino”, which she adopted at the time because she thought it was glamorous. The short film, titled Life Without Zoe (1989) and released as part of a tripartite anthology film New York Stories, was co-written by a teenage Coppola with her father, who also directed the film.
Coppola also acted in her father’s films The Outsiders (1983), in a scene where Matt Dillon, Tommy Howell, andare eating at a Dairy Queen; (1983); The Cotton Club (1984); and as Kathleen Turner’s sister Nancy Kelcher in Peggy Sue Got Married (1986) whom she would later work with on her feature film directing debut, The Virgin Suicides.
Sofia Carmina Coppola (/ˈ k ɒ p ə l ə / , Italian: [ˈkɔppola] ; born May 14, 1971) is an American screenwriter, director, producer, and former actress. The daughter of filmmakers Eleanor and Francis Ford Coppola, she made her film debut as an infant in her father’s acclaimed crime drama film, The Godfather (1972). Coppola later appeared in a supporting role in Peggy Sue Got Married (1986) and portrayed Mary Corleone, the daughter of Michael Corleone, in The Godfather Part III (1990). Her performance in the latter was severely criticised, and she turned her attention to filmmaking.
Sofia Carmina Coppola was born in New York City on May 14, 1971, the youngest child and only daughter of documentarian Eleanor (née Neil) and filmmaker Francis Ford Coppola. She is of Italian descent (Lucanian and Neapolitan) by her father’s side and was raised on her parents’ farm in Rutherford, California. Coppola graduated from St. Helena High School in 1989. She later attended Mills College and the California Institute of the Arts. At 15, Coppola interned with Chanel. After dropping out of college, Coppola started a clothing line called Milkfed, which is now sold exclusively in Japan. Among her extensive Hollywood family are her aunt, and her first cousins Nicolas Cage and . Coppola had many varying interests growing up, including fashion, photography, music, and design, and didn’t initially intend to become a film-maker. However, after making her first short film Lick the Star in 1998, she realized it “brought together all the things [she] loved,” thus deciding to continue her directing pursuits.
Coppola described her version of the film as a reinterpretation, rather than a remake, of Don Siegel’s 1971 adaption of the same book. Coppola wanted to tell the story of the male soldier entering into a classically southern and female environment from the point of view of the women and represent what was like for them. Coppola thought that the earlier version made the characters out to be crazy caricatures and did not allow the viewer to know them.
The film is based on the 1966 book of the same name by author Thomas P. Cullinan about a wounded Union soldier in a Mississippi seminary during the American Civil War and was made for under $10 million. The film has been described as a departure for Coppola because of its thriller-like features, among other things, and was the first film she screened for competition at Cannes since presenting Marie Antoinette in 2006—an experience Coppola described as nerve-wracking.
All fifteen shows nearly sold out before opening night. It was the biggest box office success since the Teatro dell’Opera Di Roma opened in 1880.